Landscape Painting

The first drawing of a landscape without human beings – though featuring human constructions – may well have been Leonardo da Vinci’s Arno landscape of 1473, while Albrecht Altdorfer’s “View of the Danube with Castle Wörth” (circa 1522) is possibly the first painting in which no human beings at all are to be seen.

It is surely Caspar David Friedrich (1774–1840), however, who must count among the first painters who took up a genuinely anthropofugal perspective in painting. His landscapes devoid of all human presence anticipate a world as it will be after the ebbing away of humanity. In giving rise to a certain aesthetic pleasure in the viewer, such paintings devoid of all human presence secure, in a subtle way, this viewer’s consent to the notion of a liberated and pacified world. Friedrich’s artworks are important objects of a comprehensive “philosophy of antinatalistic forms” which is not limited merely to textual expressions and articulations.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.